Blessing of the Animals

Order:
549
Original Publication Date:
30 Sep 2026
Posted:
October 19, 2026
Re-published/Updated:
Publication Type:
Source:
Mixplex (2026)
Blessing of the Animals. Sep 2026. Screen Capture.

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Neil Zusman. Blessing of the Animals: Deeper Listening | Sep 2026 — slowed observational study. (18:41) HD video; 4K master available on request.
Neil Zusman. Blessing of the Animals: Out Walking | Sep 2026 — realtime source. (5:05) HD video; 4K master available on request.

Blessing of the Animals : Out Walking | Sep 2026

14 minutes read time

September found me looking down as often as looking ahead. Earthworms, caterpillars, mushrooms, butterflies, and birds occupied the streets and sidewalks of Ithaca, sharing the space with automobiles, machinery, and people going about their lives.

Blessing of the Animals. Sep 2026. Screen Capture.
Blessing of the Animals. Sep 2026. Screen Capture.

A monarch butterfly rested on wet green leaves, an earthworm crossed rough gray asphalt, and a lime-green caterpillar echoed the brilliant green paint of a Kawasaki motorcycle. Shapes reappeared in objects that had little else in common: round puffball mushrooms, discarded plastic rings, birds’ nests, and circles spreading across rainwater.

Red crabapples, a STOP sign, and the pulsing lights of a fire truck found their way into the same month. Sunlight filtered through reeds and leaves, glinted on dark water, and eventually gave way to evening skies and moonlight.

Blessing of the Animals. Sep 2026. Screen Capture.
Blessing of the Animals. Sep 2026. Screen Capture.

Small dates appeared in the lower-left corner, marking my progress through September. In my slowed editing, one image remained visible as another appeared, allowing their different textures and colors to briefly occupy the same space. Public signs offered competing messages: “SEE THE BEAUTY THAT IS ALL AROUND YOU,” “COMMUNICATIONS,” and “STOP FASCISM.”

Early in the month I was listening to Bob Dylan’s “Walking Down the Line” and “I Pity the Poor Immigrant,” and heard Wendell Berry reading poetry on NPR. Annie Dillard’s Pilgrim at Tinker Creek returned to my attention, and I bought a copy. I was thinking about the choices I make with my camera. Sometimes I repeat a shot like a Cubist, changing my angle, height, pan, tilt, or movement. Other things are given to me unexpectedly. I look for those encounters. The two collide.

The walks continued to fill my days with music, memories, and other people. At the Southside food program, I was given an armload of fruit, squash, and beautiful kale.

Jimi Hendrix, James Brown, and Aretha Franklin accompanied my listening. Gillian Welch brought back memories of an anniversary years earlier, when Stiller and I wandered up to Cornell and discovered Michelle Shocked performing at a 2003 celebration of peace activism honoring Daniel Berrigan.

Preparing for Stiller’s birthday and our anniversary, I was asked for proof of age at a liquor store. I joked about being seventy-three; the clerk told me someone a hundred years old had recently shopped there. A candlelit birthday celebration, with family and friends singing together, enters the film among the outdoor observations.

Later, listening to Natalie Merchant and David Byrne’s “Nature Boy,” I imagined fastening a dozen little flashlights to my fingers and arms and dancing with their beams of light. In my notes I wrote, “Committed to being in the moment, aware of movement. Consciously cultivating joy.” But I was also worrying about Chloe, our aging dog. As September drew to a close, rain fell across the lake and a white feather floated in a puddle on wet asphalt.

Blessing of the Animals. Sep 2026. Screen Capture.
Blessing of the Animals. Sep 2026. Screen Capture.

I attended Alexandria Ocasio-Cortez’s Ithaca town hall, where she spoke about allegations of sexual violence at Cornell. I subsequently incorporated more of her remarks into the film than I had recorded, allowing her words to continue across images of a dead spotted lanternfly, bright chrysanthemums, and heavy machinery gripping and crushing lumber, with sawdust blowing across the yard.

On September 29, we took Chloe to Cornell to be put to rest. Near the film’s end, a duck paddles through the water. Then a church sign announces “BLESSING OF THE ANIMALS,” returning in progressively darker light before the fade to black.

Moreover, you must walk like a camel, which is said to be the only beast which ruminates when walking. When a traveler asked Wordsworth’s servant to show him her master’s study, she answered, “Here is his library, but his study is out of doors.”

Henry David Thoreau. Walking. As published in Atlantic Monthly, 1862. 

Smackdown

Official Story / Public Reckoning

Sep 2026

AI-generated editorial illustration: Volodymyr Zelensky faces Donald Trump, Vladimir Putin, and other political figures in a fictional wrestling-ring showdown over Ukraine.
AI-generated editorial illustration: Volodymyr Zelensky faces Donald Trump, Vladimir Putin, and other political figures in a fictional wrestling-ring showdown over Ukraine.

White House / Agriculture, Justice, EPA, Energy, Interior, Transportation

September’s opening confrontation concerns Ukraine, Russia and diesel fuel. Trump urges Zelensky to stop striking Russian refineries, placing global fuel supply ahead of one of Ukraine’s means of pressuring its invader. Elsewhere in the month’s public record, federal agencies describe their policies through forest health, affordable energy, regulatory relief, historical pride, property rights and consumer choice. The common claim is that fewer restrictions can produce greater security and prosperity.

Emphasis

Key rhetoric

  • Energy security
  • Energy abundance
  • Affordable
  • Reliable
  • Forest health
  • Common sense
  • Restore
  • Regulatory relief
  • Property rights
  • Consumer choice

Foregrounded

Fuel availability and prices, energy production, power-plant compliance costs, permitting and forest management, landowner certainty, national pride, vehicle prices and the administration’s asserted ability to reduce economic burdens through changes in regulation.

Minimized or absent

In these selected statements, less attention is given to Ukraine’s position as the country under invasion, the effects of extraction on protected forests, long-term costs of climate damage, methane leakage, incidental harm to endangered species, and the historical record that public-land interpretation is expected to preserve.

Reuters / The Guardian / The New York Times

Journalism asks who carries the consequences of these choices. A demand for cheaper diesel also affects Ukraine’s military leverage. A forest management proposal changes the protection of habitat. Removing an emissions rule does not remove emissions. The reporting follows decisions outward, toward the people, animals, landscapes and public institutions exposed to their effects.

Emphasis

Key rhetoric

  • Sovereignty
  • Military leverage
  • Habitat
  • Accountability
  • Climate costs
  • Scientific evidence
  • Methane
  • Incidental harm
  • Historical record
  • Consequences

Foregrounded

Ukraine’s right to defend itself; the ecological value of roadless forests; who pays for climate damage; measured greenhouse-gas emissions; the difference between direct and incidental injury to animals; historical accuracy on public lands; and the lifetime costs of fossil fuel dependence.

Minimized or absent

Energy abundance, regulatory relief, forest management and consumer choice are not taken as sufficient descriptions of policy. These accounts return to evidence and consequences beyond the claims used to justify the original decision.

Key verbs

Federal verbs: secure, restore, rescind, remove, expand, streamline, reduce, protect, unleash

Public verbs: examine, measure, trace, report, expose, question, document, count, defend

Sources

The deeper contrast

September turns on the meaning of protection. Trump asks Zelensky to stop striking Russian diesel infrastructure in the name of fuel security, while Ukraine regards those refineries as part of the machinery supporting Russia’s invasion.

Federal agencies describe fewer restrictions as forest health, energy abundance, consumer choice and a restoration of the law’s original meaning. Journalists ask whose security is being defended, what happens to protected forests, who pays for climate damage, and whether endangered animals can be harmed without anyone being held responsible.

Changing the language of protection does not necessarily change what happens to the things being protected.

My September walks offered another way of examining these relationships. An earthworm crosses asphalt. A caterpillar moves across the pavement. Mushrooms, birds, discarded objects, construction machinery and public signs share the landscape. Colors and shapes repeat across living organisms and manufactured things.

In the slowed film, images overlap for a few seconds, allowing different materials and moments to occupy the same space. They do not become equivalent or explain one another. Their coexistence is simply something I have encountered, recorded and made visible.

Blessing of the Animals. Sep 2026. Screen Capture.
Blessing of the Animals. Sep 2026. Screen Capture.

Near the end, Alexandria Ocasio-Cortez’s remarks about sexual violence at Cornell continue across images of a dead spotted lanternfly, chrysanthemums, heavy machinery and a duck moving through water. The testimony and the images are not illustrations of one another. Their uneasy coexistence asks something of the viewer’s attention without offering an easy interpretation.

During these same days, I was confronting the loss of Chloe, our aging dog. Care, vulnerability and the limits of protection were no longer only questions raised by the public record. The church sign announcing “BLESSING OF THE ANIMALS” returns in progressively darker light, leaving its meaning open as the film fades to black.

Thoreau’s camel ruminates while walking; Wordsworth’s study is out of doors. Their example suggests that observation and reflection need not be separate activities.

Walking does not resolve the contradictions between official language and public evidence, or between delight in the living world and grief at its vulnerability. It gives me time to notice, to reconsider, and sometimes to discover connections I had not anticipated.

The Smackdown asks what our institutions choose to protect. The film leaves me with a more immediate question: how do we live together, and what do we owe the lives around us?


See also: Tilda Wilson, Noah Adams. Beloved writer and environmentalist Wendell Berry has died at age 92. 1 Sep 2026. NPR.

See also: Scott Simon. Opinion: Remembering Annie Dillard, nature writer. 19 Sep 2026. NPR.


See: Stand with Ukraine

See: Art of the common-place: the agrarian essays of Wendell Berry

See: Republicans for Environmental Protection (REP America)