Stand with Ukraine

Order:
548
Original Publication Date:
31 Mar 2025
Posted:
October 19, 2026
Re-published/Updated:
Publication Type:
Source:
Mixplex (2026)
Stand with Ukraine. Apr 2025. Screen Capture.

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Neil Zusman. Stand with Ukraine: Deeper Listening | Mar 2025 — slowed observational study. (12:54) HD video; 4K master available on request.
Neil Zusman. Stand with Ukraine: Out Walking | Mar 2025 — realtime source. (4:12) HD video; 4K master available on request.

Stand with Ukraine: Out Walking | Mar 2025

11 minutes read time.

Blue and yellow kept reappearing during my March walks—in a Ukrainian flag painted beside a Palestinian flag on a canal wall, ribbons woven through chain-link fencing, and blue lake water beneath bright skies.

Stand with Ukraine. Apr 2025. Screen Capture.
Stand with Ukraine. Apr 2025. Screen Capture.

Ithaca was emerging from winter. Ice floated in the canal, reeds bent in the wind, and swollen water rushed past the painted flags.

I was still troubled by the February 28 Oval Office confrontation between Trump, Vance, and Zelensky. Phish’s “Waste” and Patti Smith’s “Gimme Shelter” appeared in my listening notes as the month began.

When Trump addressed a joint session of Congress on March 4, I stood before my large-screen television with my camera, listening to the live broadcast and moving impulsively across its images. I reframed faces, gestures, and protest signs reading “SAVE MEDICAID,” “MUSK STEALS,” and “FALSE,” following whatever I sensed deserved a closer look.

Stand with Ukraine. Apr 2025. Screen Capture.
Stand with Ukraine. Apr 2025. Screen Capture.

The televised images dissolved over an empty park swing and winter landscapes. Two days later, I described my practice as diaristic: “Free. Absorbing everything. In love with the world. Depressed. Music. Film. Poetry.”

I was delighted to discover that Wide Awake Bakery had made dozens of loaves bearing the words “STAND WITH UKRAINE.” I asked my friend Aron to slice one while I filmed four shots for my automatic slideshow engine to animate the transitions. Then we ate the bread. Out walking, I thanked Mike, a mail carrier, for his work.

We talked about Washington, the neighborhood, the United States Postal Service and our shared pleasure in walking; perhaps together someday.

Later in March, I remembered choosing a Bright Eyes track for a Sunday morning radio show, “Made of Clay” with Eric Clay on WRFI, Ithaca, NY in January 2020, when I was interviewed for a show I produced, “When It is Hard to be Human”. The song’s voice sounded to me “anxious, nervous, self apologetic, humiliated, beaten, hopeful.” Beside Górecki’s Miserere, I wrote one word: “Foreboding.” Meanwhile, my camera found a yellow petroleum pipeline warning, abandoned rusting water pumps, the word “ABOLITION” painted on a concrete building, “KEEP FIGHTING” on a fence, and a purple crocus emerging through dead leaves.

Near the film’s end, a blue-and-yellow pinwheel spins in the breeze, followed by dark, rushing water and the closing fade to black. Walking, listening, changing my point of view, I continued to find delight in discovery, even as the news gave me plenty of reasons for despair.

I was walking in a meadow, the source of a small brook, when the sun at last, just before setting, after a cold, gray day, reached a clear stratum in the horizon, and the softest, brightest morning sunlight fell on the dry grass and on the stems of the trees in the opposite horizon and on the leaves of the shrub oaks on the hillside, while our shadows stretched long over the meadow eastward, as if we were the only motes in its beams.
It was such a light as we could not have imagined a moment before, and the air also was so warm and serene that nothing was wanting to make a paradise of that meadow. When we reflected that this was not a solitary phenomenon, never to happen again, but that it would happen forever and ever, an infinite number of evenings, and cheer and reassure the latest child that walked there, it was more glorious still.

Henry David Thoreau. Walking. As published in Atlantic Monthly, 1862. 

Smackdown

Official Story / Public Reckoning / Deeper Contrast

Mar 2025

AI-generated editorial illustration: Volodymyr Zelensky faces Donald Trump, Vladimir Putin, and other political figures in a fictional wrestling-ring showdown over Ukraine.
AI-generated editorial illustration: Volodymyr Zelensky faces Donald Trump, Vladimir Putin, and other political figures in a fictional wrestling-ring showdown over Ukraine.

White House / EPA / Energy

The administration describes March through peace negotiations, American strength, economic security, resource development and regulatory relief. After the televised confrontation with President Volodymyr Zelensky in February, Trump presents himself as a broker capable of ending Russia’s war against Ukraine. At home, timber production, fossil-fuel expansion and environmental deregulation are presented as ways to restore prosperity, lower costs and remove barriers to growth.

Emphasis

Key rhetoric

  • Golden age
  • Peace
  • End the killing
  • Economic security
  • Energy dominance
  • Unleash
  • Common sense
  • Deregulation
  • Affordable
  • Great American Comeback

Foregrounded

The president’s negotiating role, the possibility of a ceasefire, mineral resources, domestic production, economic growth, energy supply, regulatory costs and the speed with which federal decisions can be made.

Minimized or absent

In these selected statements, less attention is given to the imbalance between an invaded country and its aggressor, the consequences of suspending military assistance during an active war, the ecological costs of increased logging and extraction, or the scientific and public-health purposes of regulations slated for reconsideration.

The New York Times / The Guardian

Journalists and columnists describe the consequences and the power relationships obscured by official assurances. The Oval Office confrontation raises questions about U.S. pressure on Ukraine and the administration’s treatment of Russia. Forest and energy policies raise questions about habitats, emissions and the purpose of environmental law. A jury verdict arising from the Dakota Access Pipeline protests puts the costs of public dissent into the same month’s record.

Emphasis

Key rhetoric

  • Sovereignty
  • Aggression
  • Leverage
  • Consequences
  • Habitat
  • Emissions
  • Scientific evidence
  • Accountability
  • Public protest

Foregrounded

Who invaded whom; what Ukraine risks losing in negotiations; the effects of interrupted assistance; what logging removes from forests; what added fossil-fuel use contributes to the atmosphere; the science behind pollution regulation; and the financial consequences of challenging pipeline development.

Minimized or absent

Peace, energy abundance, growth and efficiency are not accepted as complete descriptions of events. These accounts ask whose interests are protected, what evidence is being discounted and what happens to people and places outside the room where decisions are announced.

Key verbs

Federal verbs: negotiate, secure, restore, develop, expand, unleash, reconsider, streamline

Public verbs: scrutinize, trace, question, document, measure, expose, resist, protect

Sources

The deeper contrast

March turns on the distance between political declarations and their consequences. The administration speaks of peace, strength, energy dominance and a new golden age. Journalists ask what peace means for a country defending itself against invasion, what expanded production means for forests and the atmosphere, and what happens to people who resist the construction of a pipeline. The promises are made in public, but their consequences extend far beyond the places where they are announced.

My walks offered another kind of public record. Blue and yellow appeared in painted flags, ribbons, water, sky, bread and a spinning pinwheel. I filmed the president’s televised address, following faces, gestures and protest signs with my camera, then allowed those images to dissolve into an empty swing and a landscape emerging from winter. The words “STAND WITH UKRAINE” were baked into bread that Aron sliced and we ate.

Stand with Ukraine. Apr 2025. Screen Capture.
Stand with Ukraine. Apr 2025. Screen Capture.

Elsewhere, I encountered “ABOLITION,” “KEEP FIGHTING,” a petroleum pipeline warning, rusting pumps and a purple crocus pushing through dead leaves. These images do not explain one another, but their proximity allows unexpected relationships to emerge.

Thoreau describes a cold, gray day transformed by the sudden arrival of evening sunlight. He imagines that light returning again and again, bringing reassurance to children who have yet to walk the meadow.

I am drawn to that confidence in the recurring life of the world, but political outcomes offer no comparable certainty. Walking and filming do not resolve the contradictions of the public record. They allow me to remain attentive to what is happening around me, discovering moments of beauty and delight without turning away from the reasons for despair.


See also: Miserere – Górecki. Danish National Concert Choir (Live). 4 Nov 2020. YouTube.


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