Stripping the West
A portrait of extraction culture with wide-angle scope — land, minerals, money, and the conflicts that follow. The West is often sold as open space; this kind of work shows it as contested space. Leases, roads, rigs, and rights-of-way transform landscapes that once looked permanent. The hook is scale: not one well, but a pattern — and the social tension that arrives when an economy is built on removal.
Source: NOW with Bill Moyers (2002) Read More