Bill McKibben’s Eaarth reframed climate change as an already altered planetary condition rather than a future threat. In the context of shale expansion, the book’s argument sharpened the stakes: energy choices shape not just markets, but the stability of the planet itself.
Source: Democracy Now! (2010) Read More
Some of the new data coming out today makes it clear that everyone’s suspicion that the U.S. was both bullying and buying countries into endorsing their do-little position on climate were even sort of worse than we had realized…
Source: Democracy Now! (2010) Read More
What brings me joy is gathered in signs and wonders.
The slower video lets me study the vines on a wooden fence transforming into a flower head. Flies alight like fireflies by the stream. The flowers of summer open around me, and even the red painted fire hydrant appears to belong in a garden.
Source: Mixplex (2026) Read More
In recent months, I’ve been spending more time walking through Ithaca. Most days, I leave from North Plain Street, cross Buffalo Street, past the Children’s Garden, and follow the inlet trail toward Treman Marina and Cayuga Lake before circling back home.
Source: Mixplex (2026) Read More
“Shale Gas Shenanigans” cataloged disputed claims, regulatory inconsistencies, and industry messaging strategies surrounding hydraulic fracturing. The tone may carry humor, but the substance tracks contested science and policy gaps. Beneath the wordplay lies documentation.
Source: Energy Bulletin (2010) Read More
Let’s consider for a moment the targets the federal government chooses to make an example of. So far, no bankers have been charged, despite the unmitigated greed that nearly brought the world economy down. No coal or oil execs have been charged, despite fouling the entire atmosphere and putting civilization as we know it at risk.
Source: Grist (2011) Read More
Some things I found because they were signs. Some were flowers, raindrops, animals, clouds, painted lines, arrows, a cat sleeping in sunlight, a dead bird, an empty discarded drawer, a painting of birds, and the sky opening again and again. Sometimes I had time to stop down and frame the shot. Sometimes I reached for the camera as fast as I could.
Source: Mixplex (2026) Read More